Bibliography

PUBLICATIONS

Winter 1969 Peter C. Bunnell

Bibliography

THIS BIBLIOGRAPHY is selective with the exception of that for Life 1938-1954, which includes picture essays, stories, and single photographs. Instead of a list of exhibitions, the bibliography of Life has been made comprehensive. Reprints of photographs by Life, particularly out of the context of the original essay or story, have been omitted. For Life entries after 1954 see the Photographs in Published Sources section. Single photographs which have been reproduced in various annuals, books, or magazines have been omitted unless they are previously unpublished. All entries under Publications contain written text, statements, or quoted remarks by the photographer.

Peter C. Bunnell

PUBLICATIONS

“After 7.500 Miles, a Wake,” Photography Workshop Number 3, Fall, 1951, pp. 34-35. One photograph.

“Assignment in Studio 61/12 Photographs,” Photography Workshop Number 3, Fall, 1951, pp. 28, 29. 42. Twenty-one photographs.

Chasin, Jo, and others. “Gene Smith Meeting,”

Photo Notes, November, 1947, pp. 9-11.

“Color/Be Exact As You Take It Mistakes Can't Be Changed Later,” Modern Photography, 19:67-71, September, 1955.

Deschin, Jacob. “Serious Goals,” New York Times, January 17, 1954. One photograph.

Eugene Smith Photography. Minneapolis, University of Minnesota, 1954. Reprinted in Photographers on Photography. Nathan Lyons, editor. Englewood Cliffs. Prentice-Hall, Inc., 1966, pp. 105-106.

Herwig, Ellis. “Inside W. Eugene Smith: A Teen-ager’s Interview,” U.S. Camera, 25:32, 86, 88, July, 1962.

Hicks, Wilson. Words and Pictures. New York. Harper and Brothers, 1952. Four photographs.

Hitachi Reminder. Tokyo, Hitachi, Ltd.. 1961.

Thirty-one photographs.

“How They Think About the Picture Story,”

Popular Photography, 44:50-53, June, 1959.

Images of War by Robert Capa. Infinity, 13:4-10,

July, 1964. Book review.

Japan. A Chapter of Image. Tokyo, Hitachi, Ltd., 1963. With Carole Thomas. Poetic entries by Smith under pseudonym: Walter Trego. One hundred and forty-four photographs.

Letter to Shelley Mydans. Time. 46:11, July 2, 1945.

Maloney, Tom. “Wonderful Smith,” U.S. Camera,

8:11-13, 46, August, 1945. Nine photographs.

“One Whom I Admire, Dorothea Lange (1895-1965),” Popular Photography, 58:86-88, February, 1966.

“A Personal Vision,” The Stars and Stripes, 25:11, September 9, 1966. Four photographs.

“Photographic. Journalism.” Photo Notes, June, 1948, pp. 4-5. Reprinted in lf?53 Universal Photo Almanac. New York, Falk Publishing Co., 1952, pp. 19-28.

Twelve photographs. Reprinted in Photographers on Photography', Nathan Lyons, editor. Englewood Cliffs, Prentice-Hall, Inc., 1966, pp. 103-105.

“Photographs and Truth.” Infinity, 7:12, 13, 15,

April, 1958. Three photographs.

“Photography Is a Potent Medium of Expression.” Creative Camera, 55:32-33, January, 1969.

One photograph.

“Photography Today,” Photography Annual 1954.

New York, Ziff-Davis Publishing Co., 1953, pp. 10-15. Four photographs.

The Photo Journalist. New York, The Fund for the Republic, 1959. Television interview, “The Press and the People 6,” with Dan Weiner, moderated by Louis Lyons. Reprinted as “The Photojournalist,” Infinity. 8:20-23, May, 1959.

“Picture Memo to the Editor on the New Leicaflex From W. Eugene Smith,” Popular Photography. 56:52-53, April, 1964. Four photographs.

“Pittsburgh,” 1959 Photography Annual. New York. Ziff-Davis Publishing Co., 1958, pp. 96-133.

Introduction by H.M. Kinzer. Eighty-nine photographs. “Place Schweitzer. Africa,” ASMP Picture Annual.

New York, Simon and Schuster, 1957, pp. 6-11.

Six photographs.

“A Spanish Village,” U.S. Camera Annual 1952. New York, U.S. Camera Publishing Corp., 1951, pp. 149-159. Eight photographs.

U.S. Camera 1941. New York, U.S. Camera Publishing Corp., 1940, pp. 43, 73. One photograph.

U.S. Camera 1956. New York, U.S. Camera Publishing Corp., 1955, PP246-253. Eight photographs.

“A Walk Through A Paradise Garden,” U.S. Camera Annual 1947. New York. U.S. Camera Publishing Corp., 1946, pp. 308-309. One photograph.

“The Walk to Paradise Garden,” Croton-Harmon News. March 31, 1955, p. 3. Reprinted as “Walk to Paradise” in Art and Artists, Alfred Frankenstein, and others, editors. Berkeley, University of California Press,

1956, pp. 207-208. Two photographs. Reprinted in Gentry, Number 22, 1957, pp. 82-87.

“W. Eugene Smith Talks About Lighting,” Popular Photography, 39:48-49, November, 1956.

One photograph.

Whiting, John R. Photography Is a Language. Chicago, Ziff-Davis Publishing Co., 1946, pp. 136-137.

“The World's 10 Greatest Photographers,” Popular Photography, 42:66, 84-85, May, 1958. Three photographs. Reprinted in Photographers on Photography, Nathan Lyons, editor. Englewood Cliffs, Prentice-Hall, Inc., 1966, p. 106.

ARTICLES AND REVIEWS

Chasin, Jo, and others. “Gene Smith Meeting,” Photo Notes, November, 1947, pp. 9-11.

Deschin, Jacob. “A City’s Portrait,” New York Times, September 7, 1958. One photograph.

“Gene Smith in Japan,” Popular Photographyr, 51:62-63, November, 1962.

Hicks, Wilson. Words and Pictures. New York, Harper and Brothers, 1952. Four photographs.

Judge, Jacquelyn. “W. Eugene Smith’s Spain,” Modern Photography, 15:78-87, December, 1951.

Nine photographs.

Kinzer, H.M. “Shooting Without Stopping,” Popular Photography, 57:46-49, August, 1965. Six photographs. Kinzer, H.M. “W. Eugene Smith,” Popular Photography, 56:74-79, February, 1965. Six photographs.

Lattes, Jean. “W. Eugene Smith,” Techniques Graphiques, 58:123-137, Juillet/Août, 1965.

Nine photographs.

Mack, Emily A. “The Myth Named Smith,” Camera 35, 4:44-47, December/January, i960. Three photographs. Maloney, Tom, and others. “Wonderful Smith,”

U.S. Camera, 8:11-13, August, 1945. Nine photographs. Mann, Margery. “Photography,” Artforum,

5:67-68, March, 1967. One photograph.

Martin, Peter. “The Kid Who Lives Photography,” Popular Photography, 13:19-22, July, 1943.

Eight photographs.

Miki, Jun. “Eugene Smith,” Hitachi Reminder.

Tokyo, Hitachi Ltd., 1961. Variant reprinted as “Gene in Japan,” Age of Tomorrow 4, February,

1962, pp. 12-14.

Neugass, Fritz. “W. Eugene Smith,” Camera. 31:247, Juni/Juli, 1952. Three photographs.

Parrella, Lew. “W. Eugene Smith,” U.S. Camera 1956. New York, U.S. Camera Publishing Corp., 1955, p. 239. Eight photographs.

Pierce, Bill. “W. Eugene Smith Teaches Photographic Responsibility,” Popular Photography, 49:80-84, November, 1961.

Racanicchi, Piero. “W. Eugene Smith,” Critica e Storia della Fotografía. Milano, Edizioni Tecniche,

1963. Fifteen photographs.

Robinson, Selma. “He Photographed the Real War,”

PM, May 26, 1946. Two photographs.

Tichenor, Jonathan. “U.S. Camera Achievement Awards Presented,” U.S. Camera, 15:49-51, January, 1952. Vestal, David. “. . . A Great Unknown Photographer—

W. Eugene Smith,” Popular Photography, 59:114-117, December, 1966.

“W. Eugene Smith,” Terre dTmages, 7:3, Juillet,

1965. One photograph.

Whiting, John. “Camera on a Carrier,” Popular Photography, 14:40-51, June, 1944.

Nineteen photographs.

PHOTOGRAPHS IN PUBLISHED SOURCES

Canon Circle. Japan, Canon Club, No. 20, 1962. Eleven photographs.

“Colossus of the Orient,” Life, 55:568-63, August 30,

1963. Thirteen photographs.

“Drama Beneath a City Window,” Life, 44:107-114, March 10, 1958. Fourteen photographs.

“The Endless Fascination of Water,” Sports Illustrated, 9:34-37, September 1, 1958. Six photographs.

“From The George Eastman House Collection,”

Nikkor Club. Japan, 46, Autumn, 1968. p. 13.

Three photographs.

Hospital for Special Surgery. New York, The Hospital for Special Surgery, 1966. With Carole Thomas. Thirty-five photographs.

Komura’s Eye. Japan, 5, Summer, 1968. Three photographs.

“Ku Klux Klan,” The Second Coming Magazine,

1:21-27, March, 1962. Seven photographs.

Lockwood. Lee (ed.). Photographic Style. Culpeper, Contemporary Photographer, 1963. Four photographs.

Lorant, Stefan. Pittsburgh. Garden City. Doubleday, 1964.

“Notable Modern Buildings,” Life, 42:59-68, June 3,

1957. Eight photographs.

Photography Annual 1966. New York, Ziff-Davis Publishing Co., 1965, p. 126. One photograph.

Photography Annual 1967. New York. Ziff-Davis Publishing Co., 1966, p. 92. One photograph.

Photography Annual 1969. New York. Ziff-Davis Publishing Co., 1968, pp. 104-105. One photograph.

“The Power of Seeing,” Life, 61:135, December 2 5,

1966. One photograph.

Reynolds, Charles. “Photographic Style,” Popular Photography, 48:44, February, 1961. One photograph.

Saturday Review. 51: 38-39, January 13, 1968.

One photograph.

“35mm Portfolio,” U.S. Camera, 19:44, September,

1956. One photograph.

U.S. Camera Annual 1940. New York, U.S. Camera Publishing Corp., 1939, p. 207. One photograph.

U.S. Camera 1942. New York, U.S. Camera

Publishing Corp., 1941, pp. 120-121. Two photographs.

U.S. Camera 1950. New York, U.S. Camera

Publishing Corp., 1949, p. 272. One photograph.

U.S. Camera 1954. New York, U.S. Camera

Publishing Corp., 1953, pp. 232-235. Four photographs.

“W. Eugene Smith,” Camera, 33:158-165, April, 1954. Eight photographs.

“W. Eugene Smith—A Portfolio,” Photography,

10:40-43, June, 1955. Four photographs.

“W. Eugene Smith: An Exclusive Portfolio of His Unpublished Photographs,” Popular Photography, 31:62-73, October, 1952. Eleven photographs.

“W. Eugene Smith: 12 Unpublished Photographs,” Photography Annual 1962. New York, Ziff-Davis Publishing Co., 1961, pp. 76-87. Eleven photographs.

“Wind on My Wings,” Sports Illustrated, 13:77-84, September 12, i960. Six photographs.

PHOTOGRAPHS PUBLISHED IN LIFE 1938-1954

1938

“Old Age,” 5:66, November 7, 1938. One photograph.

“Gas Masks,” 5:57, December 19, 1938. Two photographs.

“Life Goes to a Rubber Ball,” 5:56-58, December 26,

1938. Nine photographs.

1939

“Life Goes to the Butler’s Ball,” 6:58-61, January 30,

1939. Twenty-one photographs.

“Voder, the Machine That Talks Like a Man,

Duplicates the Human Throat,” 6:24, January 30, 1939. One photograph.

“Thomas Dewey.” 6:65, February 27, 1939.

One photograph.

"Russell Dunn,” 6:61, March 6, 1939. One photograph. “Propeller Shafts,” 6:22, March 27, 1939.

One photograph.

“Baseball Season Opens . . . ,” 6:15, May 1, 1939.

One photograph.

“Latin American Diplomats Crowd Opening of Juarez,” 6:74-75, May 8, 1939. Six photographs.

“Maryland Schoolboys Crack Skulls and Shins in a Rough Game of Lacrosse,” 6:57, May 29, 1939.

Six photographs.

“The Raising of the Squalus,” 6:27, June 12, 1939. Three photographs.

“Daniel Webster Outwits a Boston Devil in a New American Folk Opera,” 6:37, 38, 40, June 12, 1939. Nine photographs.

“Governor William H. Vanderbilt,” 6:22, June 19,

1939. One photograph.

“World’s Fair,” 7:55, July 3, 1939. Two photographs. “Broadway Likes Miranda Piquant Portuguese Songs,” 7:34, July 17, 1939. One photograph.

“World’s First Autogiro Air-mail Service Starts at Philadelphia,” 7:20, July 17, 1939. Two photographs. “Clifton Webb and Libby Holman,” 7:58, July 31,

1939. Two photographs.

“Australia May Well Lift Davis Cup,” 7:22-23,

August 7, 1939. Twelve photographs.

“After Her 16-year Retirement, Irene Castle Dances Again,” 7:19, August 21, 1939. One photograph.

“The Week the War Began,” 7:75, September 18, 1939. Five photographs.

“Technicians Design Model Rockets Hoping for Transatlantic Flight,” 7:37-40, October, 1939.

Seven photographs.

“Bud Kerr,” 7:96, November 20, 1939. One photograph. “Betty Grable,” 7: cover, December 11, 1939.

One photograph.

1940

“Cromwells Arrive in Ottawa and Take Over U.S. Legation,” 8:24, February 5, 1940.

Four photographs.

“Francis Biddle,” 8:23, February 19, 1940.

One photograph.

“Mercury, Mars, Saturn, Jupiter and Venus Line Up as Evening Stars,” 8: 33-34, February 26, 1940.

Two photographs.

“Betty Hutton Rips Into Miss Muffet,” 8:51,

March 11, 1940. Twelve photographs.

“The Queen Elizabeth,” 8:30, March 18, 1940.

One photograph.

“Taft and Taft,” 8:91, March 18, 1940. One photograph. “Girl Swimmers from New York Set New World’s Medley Relay Record,” 8:69-70, April 29, 1940.

Six photographs.

“Milwaukee’s Lyric Mayor Lifts His Voice in Song on Day of Inauguration,” 8:35, April 29, 1940.

One photograph.

“Moe Annenberg Pleads Guilty in Biggest Tax-evasion Job in History,” 8:36, May 6, 1940. One photograph. “Psychology Professor Hypnotizes Student in Class Demonstration,” 8:78-80, May 20, 1940.

Seven photographs.

“Oil in Illinois,” 8:62-66, June 10, 1940.

Ten photographs.

“Roller-Skate Dancing Starts a Bloomers Fad,”

9:68-69, July 8, 1940. Four photographs.

“U.S. Army Doctors Investigate the Punishment a Pilot Takes in Flight,” 9:34, 36-38, July 22, 1940.

Eight photographs.

“U.S. Opens Its Home and Heart to Refugee Children of England,” 9:11-14, July 22, 1940. Twelve photographs.

“Army Uses Tower to Train Its New Parachute Troops,” g : cover, 18-19, August *9, 1940Four photographs.

“Port Churchill, Manitoba, Canada,” 9:111,

September 9, 1940. One photograph.

“Series Tragedy,” 9:28, October 14, 1940.

One photograph.

“Bases That Keep the Fleet Afloat,” 9:92,

October 28, 1940. One photograph.

“The Naval War College,” 9:59-62, October 28, 1940.

Five photographs.

“U.S. Sailor,” 9:cover, October 28, 1940. One photograph. “U.S.S. Constellation Is Navy’s Oldest Ship,”

9:52-54, October 28, 1940. Four photographs.

“War Speeds Careers,” 9:90, October 28, 1940.

Three photographs.

“Americans Hit New High in Political Pep as

Presidential Race Nears Finish,” 9:23, November 4,

1940. Ono photograph.

“America Begins Training First Conscript Army in Its Peacetime History,” 9:31, December 9, 1940.

One photograph.

“Refugees,” 9:88-89, December 16, 1940.

Four photographs.

“Ribald Tobacco Road Has Seventh Broadway

Birthday,” 9:30, December 16, 1940. Eight photographs.

1941

“Cameraman on Ship Shoots Launching in Reverse,” 10:47, January 13, 1941. Six photographs.

“General Hugh S. Johnson,” 10:27, January 20, 1941.

One photograph.

“Secretaries Hull, Morgenthau, and Stimson,” 10:24, January 27, 1941. Three photographs.

“These Pictures Show How to Salute,” 10:33, January 27,

1941. Two photographs.

“Carmen Miranda,” 10:50, February 3, 1941.

One photograph.

“Senator Tinkham of Massachusetts,” 10:19, February 3, 1941. One photograph.

“12,000 Civilian Spotters Ward Off a Mock Air Invasion of the U.S.,” 10: 24, 25, February 3, 1941.

Two photographs.

“Winter at Yaphank,” 10:72, 74, February 17, 1941.

Seven photographs.

“Willkie and Clare Boothe,” 10:31, February 24, 1941. One photograph.

“Mrs. Abbie Tyler of Newbury, Vermont,” 10:46,

March 17, 1941. One photograph.

“Secret and Official Missions Take Americans Across the Sea to Lisbon,” 10:44, 46, March 24, 1941.

Three photographs.

“Louisiana Plants Its No. 1 Hero Amid the Illustrious Dead in Statuary Hall,” 10:33, May 5, 1941.

One photograph.

“Prisons Turn to Sports Programs,” 10:49-55, May 5,

1941. Ten photographs.

“Boston Transcript Folds After 111 Years of Genteel Journalism,” 10:34, 35, May 12, 1941. Ten photographs.

“Roosevelt Calls for Seven-day Week as U.S. Defense Machine Begins to Roll.” 10:28, 29, May 12, 1941. One photograph.

“Orson Welles,” 10:108-109, May 26. 1941. Five photographs.

“British Sailor Boy Gets His First Look at U.S.,”

10: cover, 45, 46, June 16, 1941. Seven photographs. “Harlem's New Congeroo Gives Girls a Workout,”

10:49, 50, June 16, 1941. Six photographs.

“Life Goes Calling at an Officer’s Cluh.” 11:99-101,

July 7, 1941. Nine photographs.

“The Circus,” 11:47, 56July 28. 1941. Two photographs. “Bob Falkenburg,” 11:30. August 4, 1941. Two photographs.

“Deadpan Buster Keaton in The Gorilla,” 11:57.

September 1, 1941. One photograph.

“Life Goes to a Party With Manhattan Cafe Socialites,”

11:108-111, September 8, 1941. Fourteen photographs. “Joe DiMaggio,” 11:65, September 29, 1941. One photograph.

“Woman’s Prison,” 11:80-86. October 6, 1941.

Fourteen photographs.

“Cole Porter Tunes and Army Gags Make Let's Face It! a Fun Fest,” 11:114-116, 119. November 10, 1941. Fourteen photographs.

“Hypnotism," 11:77-79, November 10, 1941. Two photographs.

“John L. Lewis Calls Out Captive Miners,” 11:42-43, November 10, 1941. One photograph.

“Sons O'Fun Panics Boston,” 11:44-45_ November 17,

1941. Ten photographs.

“On Sadie Hawkins Day, North Carolina Co-eds Show How’ to Kiss Girl-shy Boys,” 11:40-4i,

November 24, 1941. Eleven photographs.

“Power Blackout,” 11:41, 42, 44, 46, 48, December 1,

1941. Ten photographs.

1942

“Aides Relieve Nurse Shortage,” 12:32-34, January 5, 1942. Seven photographs.

“Washington Goes to War,” 12:58-60, January 5, 1942. Four photographs.

“The Ballet,” 12:44, January 19, 1942. Two photographs. “Broadway Season,” 12:56, 57, 59-61, February 23,

1942. Sixteen photographs.

“OCD Co-ordinators Keep Selves Fit While People Fume at Boondoggling in Defense,” 12:102, March 30, 1942. One photograph.

“The Glamour Boy of Kentucky Politics,” 13:31, August 10, 1942. One photograph.

“Hero's Homecoming,” 13:45, 46, 48, October 12, 1942. Six photographs.

“Francis Biddle,” 13:107, October 26, 1942. One photograph.

“Armistice Day,” 13:46, November 23, 19.32.

One photograph.

“Prison War Work,” 13:49, December 7, 19.32.

One photograph.

194J

“London Theater,” 15:82, August 2, 1943.

One photograph.

“Colonel Jarrett,” 15:6. August 16. 1943.

One photograph.

19-14

“Raymond Clapper,’’ 16: 34. March 1 3, 19.3.3.

One photograph.

“Navy Attacks the Islands,” 16:22-25, May 8. 194.3.

Six photographs.

“Movie of the Week/Gaslight," 16:75, 77, 78.

May 22, 1944. Six photographs.

“Jerome Kern and Oscar Hammerstein II,” 16:110,

May 29, 1944. One photograph.

“Land Fighting on Saipan,” 17:24-25, July 17, 19.34. Three photographs.

“Saipan,” 17:75-83, August 28, 19.34. Eleven photograph “Japanese Civilians on Saipan,” 17:45-50, November 6, 1944. Fourteen photographs.

“Decision in the Philippines,” 17:26-27, November 1 3.

1944. Two photographs.

“Hospital on Leyte,” 17:13-17, December 25, 19,34.

Nine photographs.

1945

“Carlos Romulo,” 18:2, February 5, 1945.

One photograph.

“Marines Win Bloody, Barren Sands of Iwo.”

18:34-35, March 12, 1945. Four photographs.

“The Battlefield of Iwo,” i8:cover, 93-101. April 9,

1945. Thirteen photographs.

“Pacific War,” 18:96, May 14. 1945. Two photographs. “Okinawa,” 18:88-91. May 28, 1945. Five photographs. “American Battle for Okinawa,” 18:19-24, June 18,

1945. Eighteen photographs.

1946

“Ethel Merman,” 21:85, July 8, 1946. One photograph.

“Peter Grimes," 21:43-46, August 26. 1946.

Six photographs.

1947

“Bigtime Recitalists,” 22:88. 89. January 27, 1947.

Two photographs.

“Moo Annenberg and Son,” 22:118, May 5, 1947.

One photograph.

“Folk Singers,” 23:cover. 63-66, October 20,

1947. Seven photographs.

“Dr. John Mott,” 23:113, November 10. 1947.

One photograph.

“Mrs. Hamilton Fish Wehster,” 23:108,

November 10. 1947. One photograph.

“The Case of the Winslow Boy,” 23:97-98,

November 24. 1947. Two photographs.

“Ezio Pinza.” 23: 1 32, December 1, 1947.

One photograph.

“New York Lamasery.” 23:159-160. December 8.

1947. Three photographs.

1948

“Tennessee Williams.” 24:11 3. 127. February 16.

1948. Two photographs.

“Fables in Dance.” 24:79. April 19. 1948.

One photograph.

“Robert Taft.” 24: 32. May 3. 1948. One photograph.

“Trial by Jury," 24: 124-1 33. May 17. 13)48.

Forty photographs.

“Rediscovered Genius/Elie Nadelman.” 24:119, 120.

122. May 24. 1948. Three photographs.

“Class of 48.” 24:111-119. June 7. 1948.

Twenty photographs.

“Country Doctor.’’ 25:115-126. September 20. 1948.

Twenty-eight photographs.

“Rehearsal Throes.” 25:cover. 103-106. September

20. 1948. Nine photographs.

“Lena Horne,” 25:101, October 18. 1948.

One photograph.

“Edward. My Son,” 25:111-114. October 18. 1948.

Seven photographs.

“Heitor Villa-Lobos,” 25:108. October 25. 1948.

One photograph.

“Generals Fairchild. Rawlings, and LeMay.” 25:88.

November 1. 1948. Three photographs.

“Lung Is Collapsed by Plastic Balls.” 25:127-128.

November 1. 1948. Two photographs.

“Joe Gatto, Primitive,” 25:73, 78, 80, November 8.

1948. Three photographs.

“Harry Truman of Missouri Went Out to Meet the

Folks,” 25:41-42. November 15. 1948. Two photographs. “President Truman,” 25:cover, November 22, 1948.

One photograph.

“Paul Muni.” 25:1 32, December 6. 1948.

One photograph.

“Monica Dickens.” 25:77, December 27. 1948.

One photograph.

1949

“Hard Times on Broadway,” 26:87-95. February 14,

1949. Twenty-one photographs.

“Death of a Salesman26:115, 117, 118. 121. February

21, 1949. Eight photographs.

“Cornell's Campus,” 26:113, March 28. 13)49.

One photograph.

“South Pacific.” 26:93-96. April 18, 1949.

Ten photographs.

“Princeton’s Bellmaster,” 26:125, 126, 128, May 2, 1949. Nine photographs.

“John .1. McCloy,” 26: 35, May 30, 1949. One photograph. “Albert Schweitzer,” 27:74-77, July 25, 1949.

Two photographs.

“Life Without Germs,” 27:107-113, September 26.

1949. Eighteen photographs.

“Charles Ives,” 27:45, October 31, 1949. One photograph. “Lost in the Stars,” 27:143-146, November 14, 1949Six photographs.

“Theater Girl,” 27:103-109, November 21. 1949. Twenty photographs.

“Taft and Ohio,” 27:101-108. November 28. 1949. Eighteen photographs.

19ÓO

“Clement Attlee.” 28:31, February 20, 1950.

One photograph.

“Gregory Peck in Twelve O'Clock High,” 28:cover, February 20. 1950. One photograph.

“Welch Miners.” 28: 34. February 20, 1950.

One photograph.

“Attlee Surveys the Ruins of Victory,” 28:21-22.

March 6. 1950. Two photographs.

“South Pacific.” 28:106. May 15. 1950. One photograph.

195 1

“20th Century,” 30:117, 118. 120, February 19. 1951. Seven photographs.

“Recording Artists.” 30:122-127, March 26. 1951.

Twenty-two photographs.

“Spanish Village,” 30:120-129. April 9, 1951.

Seventeen photographs.

“Last Glimpse of De Lawd,” 30:67-69. April 16. 1951. Five photographs.

“The King and l,” 30:79-87. April 23. 1951.

Nine photographs.

“Remains To Re Seen,” 31:169-174. October 15.

1951. Nine photographs.

“A Play for Churches,” 31:73-77, November 12. 1951. Eight photographs.

“Dennis Stock,” 31:15, November 26, 1951.

One photograph.

“Nurse Midwife.” 31:134-145, December 3. 1951. Thirty photographs.

19Ó2

“An Unheroic Hero Seeks Self-respect in Point of No Return,” 32:59, 60. 62, January 7, 1952.

Eight photographs.

“Chaplin at Work,” 32:117-127, March 17. 1952. Thirty-one photographs.

1953

“The Reign of Chemistry,” 34:29-39, January 5, 1953.

Eighteen photographs.

“Igor Stravinsky.” 34:152. March 23. 1953.

One photograph.

“Maude Gets Her Clinic.” 34:1 39, 140, 143,

April 6, 1953. Six photographs.

“The Air/Water Vapor and Clouds,” 34:91-93,

June 8. 1953. Two photographs.

“A New Life for Broche Twin.” 34:134-140,

June 15, 1953. Eleven photographs.

“My Daughter Juanita,” 35: cover, 165-171.

September 21. 195 3. Seventeen photographs.

“Real Gone Gal Quits the Met,-’ 35:209, October 12. 1953. One photograph.

1954

“A Man of Mercy,” 37:161-172, November 15. 1954. Twenty-six photographs.